Opening Line

Walking on to the stage is a powerful moment.  All eyes on you.

Maybe you say something right away, maybe you’re the type who waits till after the second song to say anything.

But for your first line to be “Hey, how ya doin?” is a waste of a first line.

Why do you say that?  What’s the point?  

Say something that contributes to the night.  

Say something half ways unique…articulately, clearly into the microphone.

It doesn’t have to be prolific or deep or funny or witty, it just needs to have purpose.  And your purpose is unique.

A first line is an amazing opportunity.

An opportunity that you have at each and every show.

Do something with it.

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I’m always interested in your perspective, whether affirming or dissenting. Continue the conversation anytime: gabethebassplayer@gmail.com

Hearing Taylor Swift Songs

Taylor Swift plays the Bridgestone Arena multiple nights in a row here in Nashville and sells them all out.  

Tickets get expensive.  Really expensive.  Up into the high hundreds, even $1000 a ticket.

What is interesting is that on any of those given nights you could go to any number of other venues in town and hear live bands with a female lead singer singing Taylor Swift songs for $5 at the door.

Same songs.

Same city.

Same night.

$5 vs. $1000.  

Free parking vs. $30 parking

$2 beer vs. $12 beer

Manageable crowd vs. a hurricane of a crowd

The $5 show is a deal in every way possible!!!

But you don’t choose that one.

Because you want to see a star.

Because a star has power.

We want to feel the power of someone leading us.

We want to believe they know where the destination is and all we have to do is ride along.

Star power is a real thing.

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I’m always interested in your perspective, whether affirming or dissenting. Continue the conversation anytime: gabethebassplayer@gmail.com

Support Their Cause vs. Support My Cause

I moved to Nashville 13 years ago, almost to the day.

And for 13 years I’ve heard thousands of independent artists telling, pleading, begging, convincing people to buy their CD.  

“Buy my $10 CD to support me and support music”.

But I don’t buy or listen to music in order to support and enhance artists’ careers.  I buy and listen because it because it supports me and makes me feel good.  It supports my cause.

I don’t buy clothes from TopMan to support TopMan. I buy them to support me looking how I want to look.

I don’t buy chicken sandwiches from Chic Fil A to support a cause. I buy them because I’m hungry and their chicken sandwiches taste good to me.

I didn’t buy a Fender bass when I was 13 to make sure Fender kept making basses.  I bought it because it made me feel good and empowered.

There’s much more power selling something in a way that will “support their cause” rather than “support my cause”.

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I’m always interested in your perspective, whether affirming or dissenting. Continue the conversation anytime: gabethebassplayer@gmail.com

In-Studio Band Archetypes

A few weeks ago I was wasting time during the day on Facebook and came across one of the best, funniest, geeky music world posts and comment feeds I’ve ever seen.  I had to contribute.  And I must share.

A musician friend of mine, Stephan Mason, posted the following:

In-studio dude band archetypes:

Don’t leave me out guy
Always right guy
Let’s not fight guy
I hate you guys guy

And now, these are just some comments from the comments section.  If you get it, you get it.

This production demeans my art guy
Runs studio intern ragged for his own selfishness guy
I could take it or leave it guy

Makes hand and arm movements to explain an arrangement in his head guy
Analog is smoother than digital guy
Can we bump up the tempo guy

We gotta get out and network guy
There’s a click that’s bothering me somewhere around 1:41 guy
Let’s just cut and paste it guy

Let’s do another take just so we have it guy
I thought the last one was good guy
This isn’t radio enough guy
I don’t want to copy them but I want the feel to be like Coldplay guy

Art guy
Money guy
Talent guy
Pizza guy

Let’s celebrate writing the hook with a shot guy
Do you think the message is coming across guy
Let’s all stop for a second and pray guy

The acoustic almost sounds TOO good guy
This is perfect for tv and film guy
I played this for my wife and she LOVED it guy

I just want to make sure we can still press vinyl guy
I’m going to start talking as we listen back to the take guy
I just think it’s our season guy

Send me more “guys”.

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I’m always interested in your perspective, whether affirming or dissenting. Continue the conversation anytime: gabethebassplayer@gmail.com

Thursday Short

If you smash your guitar at the end of your show or leave your amp feeding back super loud as you walk off stage, thats cool.  

If you’re the one who has to come back out on stage after the show and pick up your own smashed guitar and turn off your amp, that’s not cool.

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I’m always interested in your perspective, whether affirming or dissenting. Continue the conversation anytime: gabethebassplayer@gmail.com

Show Ideas

What is the craziest idea you can come up with for your next show that definitely will not work?

What’s the idea that when you think of it, you say “nah, we can’t do that, we can’t pull that off”?

What is the most outlandish idea that the crazy guitar player brings up and everyone else rolls their eyes?

What is the amazing idea that you just can’t do because you don’t have the budget?

What is the great idea if only you could plan on a packed house?

What is the effective idea that you just can’t do because you saw another artist do a version of it one time and you don’t want to rip someone off?

What’s the crazy idea that’s in your brain that would be awesome if only…

These kinds of ideas are the only kinds ideas worth doing at your next show…regardless of the specific fear associated with them.

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I’m always interested in your perspective, whether affirming or dissenting. Continue the conversation anytime: gabethebassplayer@gmail.com