The New Undervaluing Of Music

This is not a blog post about Napster or streaming or downloading.

It’s a much more subtle under valuing that is happening right inside the music business itself.

With the amazing technology we have right on our phones and computers to make records that sound amazing…we associate computer work with easy and fast…because computers are easy and fast and now there’s great plug-ins and sample packs for the computers.

The under valuing has come via artists, managers, labels, assistants, etc, etc, etc wanting a blazing fast turn around on everything.

That song you wrote earlier today, management wants a full demo (i.e. a master) by tomorrow because the NEED it for the next meeting.

That song that was written and recorded 3 months ago that everyone forgot about…the artist needs mix tweaks done by tomorrow morning because it’s in the running to be the next single.

The song where the vocal isn’t very good…the label needs the vocal edited to sound amazing…by lunch time.

Because making a great record quickly is POSSIBLE these days, too many of us want to utilize the possibility every time (when it benefits us)…and that just ain’t right.

I get it. I understand the dance. I understand the enthusiasm with which a lot of these insane requests get made.  So if you’re the producer, you want to answer the bell, you want to come through in the clutch.

But it’s the flippant attitude of too many people in the business regarding song turn around time that is the beginning of the under valuing of music and the creative process.

Slow down. Breathe baby. It’s all coming together.

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I’m always interested in your perspective, whether affirming or dissenting. Continue the conversation anytime: gabethebassplayer@gmail.com

Making A Career In Music...

Making a career in music is possible and probable when you’re making the kind that a group of people want to hear and experience.

“Making a career”…not “Playing music”

“possible and probable”…not “easier and quicker”

“group of people”…not “everyone”

“hear and experience”…not “could take or leave”

Because then the sentence would look like this:

Playing music is easy and quick when you’re making the kind of music that everyone could take or leave.


We know the first version of the sentence is true…but if we’re not careful we’ll find ourselves wishing the second version of the sentence could just maybe work for us and sustain us.

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I’m always interested in your perspective, whether affirming or dissenting. Continue the conversation anytime: gabethebassplayer@gmail.com

Stop Stopping

Stop ending the show after every song. Stop stopping.  

Stop stopping and starting and stoping and starting.

As herky jerky as this blog post already feels with all the times I’ve said stop stopping, stop ending and starting and stopping…your show takes on the same unsettled feel.

Smooth it out baby.

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I’m always interested in your perspective, whether affirming or dissenting. Continue the conversation anytime: gabethebassplayer@gmail.com

Features And Iterations

Apple will come out with the iPhone 8 in the fall.  I’ll probably get it…they still do a pretty good job of convincing me I need the new one.

The reason I’ll need it is because of all the new features it will have.  They’ll be new and exciting and make the technological part of my life much better.

Here’s the thing…I don’t think the Apple development team showed up at the office the day after the iPhone 7 came out and asked “Ok, anybody got any ideas for the 8?”

Sure, a brand new amazing idea is always welcome…but there is a highly detailed plan at Apple about which features each iteration of the iPhone will have.  They’ve known what the 8 would be all about for quite a while. 

They could have put lots of the iPhone 8 features in the 7 but the didn’t.  It’s a loooooong roll out. Years long. It’s incremental. It’s planned. I would surmise that the brand new ideas that are being worked on right now, we won’t see them for years…like the 10 or 11.


I’m not telling you to parcel out your best songs or anything like that, but to consider the roll out of your career. What features are being revealed now? What features will be revealed next year and the year after?  What’s the flow of the rollout…your songs, content, story, personality, aesthetic, tour, artwork?

What does the next couple iterations of your career look like?

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I’m always interested in your perspective, whether affirming or dissenting. Continue the conversation anytime: gabethebassplayer@gmail.com

Hmmm, Our Set Could Use A...

What kind of song does your live show need?

I know I know, you just need lots of smash hits.  But you’ve played a bunch of shows maybe with similar setlists, you know the flow, where the best parts are, where the lulls are.

What does your show need now?

A fist pumper. A ballad. A coaster. A song with a big build. A song with a long intro. An acoustic something. A guest vocalist. A cover. A call and response.

Sometimes (in a live situation) it’s not all about having smash hits…it’s also about having the right material at the right time to create a great show.

So if you needed to add one TYPE of song to your set in order to make the show better, what would it be right now?

Go get it.

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I’m always interested in your perspective, whether affirming or dissenting. Continue the conversation anytime: gabethebassplayer@gmail.com

Tired vs. Burned Out

If you’re willing to be tired (and rest) you’ll avoid burn out.

If you’re willing to learn to rest, the byproduct will be getting re-energized.

If you’re working as hard as you think you are, you’re going to get tired.

If you’re not getting tired, you’re not working as hard as you think you are.

If you’re not working as hard as you think you are, it’s time to max it out.

If you max it out, you will get tired.

If you’re willing to be tired, and learn how to rest, you’ll avoid burn out.

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I’m always interested in your perspective, whether affirming or dissenting. Continue the conversation anytime: gabethebassplayer@gmail.com