Making The Band

As we all know, sometimes labels or management or a lawyer put together acts. Duos, trios, the beloved 5 member boy band or girl band.

And inevitably a few years into their careers or a few singles into their careers it comes out that they were “put together”.  It’s said in a negative spin, with many people in the industry and other artists and acts looking at a put together group as ‘not true to the art’.

But here’s the great thing about acts that are put together:

They don’t have a story.

So what do they have to do? Create one and tell it.

And they get to create and tell whatever story they want!

There’s no baggage. No one is beholden to the past. No one is precious about anything because there’s literally nothing to be precious about.

This is why groups that are put together can do so well. Because they story is so clear and focused from the beginning…which is essentially the only option.  

No one would put a group together and, on purpose, go forth with a foggy, spastic, confusing story.

But ‘normal’ acts do it all the time!  When bands start organically there’s an incredible amount of fog, spastic-ness and confusion…but you don’t know it at the time so you just keep going.  And that’s great.

A few years in you begin to understand what a story is and how marketing works and so you sit down and try to frame the story.

But there’s already so much history! There’s already attitudes and feelings and preferences and pain and playing favorites and taking sides.  (And again, I think this is fantastic in so many ways…this is how we got The Beatles and Led Zeppelin)

What if the past didn’t matter? What if a label head put you in a room with a couple fresh faces and you got to make up and tell whatever story you wanted without being self conscious about ‘is this me, is this us’….because NO, IT ISN’T, it can’t be yet.  This group is brand new and isn’t defined. So you get to define it.

Perhaps it’s simply the difference between remodeling/renovation and doing a new build.

Both are great.

But I think the ‘put together bands’ are on to something. Something clear and intentional. Something designed to please one segment of the market and not another.

Put it together.


p.s. Some questions that put-together acts have to ask because they have no back-story, that rarely if ever get asked by organic bands:

Who are we making music for?

What are we going to wear?

What are we going to sing of?

How many people should be in the band?

Who owns the band, recordings, copyrights, etc?

What if someone quits?

Who is going to talk in interviews?

How do we want people to feel when they hear our music?

You get it. All the questions that are easier to ask when you don’t know someone than when you do.




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I’m always interested in your perspective, whether affirming or dissenting. Continue the conversation anytime: gabethebassplayer@gmail.com

Yelling And Whispering

You can get anyone to listen to you once or twice if you yell loud enough.

The problem is no one likes being yelled at.

So while you might get heard a couple times, now you’re known as the person who yells…i.e. the person who communicates in a way no one likes.  

The point can’t simply be to be heard, else the yelling would work more.

And isn’t it funny how you never feel special when you’re yelled at, but the thought of someone whispering something to you feels pretty special.

Yelling might be great for some fast attention, but it’s fleeting.

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I’m always interested in your perspective, whether affirming or dissenting. Continue the conversation anytime: gabethebassplayer@gmail.com

Companies Within Your Company

As an artist, you’re the parent company…and within that company are several companies:

YOU Touring Company

YOU Recorded Music Company

YOU Marketing Company

YOU PR/Celebrity Company

YOU Publishing Company

YOU Writer Company

YOU Merchandise Company

These are just a few of the companies within your company, each one working together and separately. Each one (each team) needing to be built with care.  Each one needing the right people to be hired on.

Each one having its own ROI (a term artists shun solely because of it’s stigma) whether in dollars, attention, referral or life experience.

And here’s the thing too…You might not need all these companies (and more) in order to have the career you want.

Maybe you only really want to build and fuel the Recorded Music and PR/Celebrity. Lots of acts do.  Cool. But if you decide that, don’t be surprised that your Touring, Writing, Publishing, Etc, Etc Companies aren’t doing very well or are nonexistent. 

Assess the companies within your company. How are they doing? Which ones need more attention? Which ones need to be shut down? Which ones need to be rebuilt?

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I’m always interested in your perspective, whether affirming or dissenting. Continue the conversation anytime: gabethebassplayer@gmail.com

Seinfeld On Stern

Jerry Seinfeld was on Howard Stern.  

Lefsetz posted about it earlier today too but I just got done listening to the entire thing and I need to chime in.

You need to listen to it.  It’s long.

If you don’t have a SiriusXM login, sign up for the free trial.

https://www.howardstern.com/show/2017/9/25/jerry-seinfeld-spills-wholl-be-riding-around-him-comedians-cars-getting-coffee-season-10/

Why aren’t you successful? Why isn’t your show compelling? Why don’t more people in more cities come and see your gig?

Because you don’t pay attention like Jerry.

Paying that close of attention to everything, to how the words sound, to the spaces in between the jokes, to learning how to truly read an audience and adjust accordingly…that’s scary.

That’s putting yourself on the hook, where either YOU fail or YOU succeed.

When I hear Jerry talk about how deep he dives in, it’s equally inspiring and exhausting.  He brings to the forefront what it would REALLY take.  It sounds completely romantic and absolutely mind numbing.  An depressingly thankless process until it’s not.

And don’t think that this level of thought and care and intention doesn’t apply to music, to gigs.  It does.

Don’t think that since you’re a musician that you’ll just keep “seeing what happens” when you get up there time after time and expect great steps forward, or even greatness itself.

You have to DIG. You have to really love digging into it.


p.s. And there’s a great bit at the end about The Beatles too that, when you hold yourself next to it, it’s a moment for you to be honest about if you have what it takes.



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I’m always interested in your perspective, whether affirming or dissenting. Continue the conversation anytime: gabethebassplayer@gmail.com

You Can Be Good At Monopoly

In Monopoly you can be a victim of chance (specifically those pesky Chance cards) and have bad luck via a bad roll of the dice.

But in spite of this, there are people who are very good at Monopoly.  I’ve played against them.  

It’s easy to say ‘well, they’re lucky and I’m not’.  But after being beaten again and again…it’s not that luck doesn’t have anything to do it, or that un-luck has everything to do with it…

It’s that within the game of Monopoly there are many elements you can be good at.

So you can focus on the luck/unluck, which is definitely a real thing…or you can accept the fact that luck exists in the game and instead choose to focus on getting good at Monopoly.

Yes, this is like the music business.

You can talk on and on and on about this person getting lucky and that person getting lucky, and you being unlucky all the time.

Maybe you’re right. But so what?

Yeah, there’s luck involved.

But you can also be good at the music business.

Eventually you learn that focusing on luck (usually in the form of complaining) is only taking time away from getting good.


p.s. I’ve found in losing Monopoly I’ve lost the most money the most often by paying out on the purples and oranges.  So there’s gotta be something there.



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I’m always interested in your perspective, whether affirming or dissenting. Continue the conversation anytime: gabethebassplayer@gmail.com

Having The Best Album Of All Time

If you just finished making the best album of all time and you could somehow verify that it was indeed the best of all time…that means you would have arguably the best tool possible to get a lot of people to listen and buy all your stuff and make you super famous.

But the thing is, even if you really truly had the best album to release to the world…”Check out our album, it’s the best thing you’ll ever hear” is a horrible marketing strategy.

Consider these…

“My company can build you a brand new house in 4 days”

“We have the best steak you’ll ever eat and it only costs seventy-five cents”

“We’ll replace your transmission in 3 minutes and have you on your way”

Even if these statements are true (which would be great), we don’t want to believe them so we don’t.

They might be true, but nobody believes you.

I don’t want my house built in four days. I want my favorite steak ever to cost a lot of money. And I want you to wait at least a few hours before you tell me my car is ready to be picked up, because that new transmission was expensive.

If those companies can do those things that fast and at that level of quality, great!! And ultimately it might be to my benefit.  But they would have to be discovered, not advertised.

The truth is you probably don’t have the best album in the history of music, so you wouldn’t advertise as such, but you have a really good album…and too often the advertising is a version of “Listen to our album, it’s REALLY good”.

(or even more annoying, ambiguous and not-captivating “Listen to our album, we’re REALLY PROUD of it”)

That might be true, but I don’t care that you’re telling me it’s really good. Just like I wouldn’t even care if you told me it was the best of all time.

I want to DISCOVER that it’s a really amazing record (or the best in the world) via you telling me a story that doesn’t have anything to do with how great it is.

It might be true that it’s really great, but is that a useful thing to say?

True and useful can be two different tools in telling a story about your music and career.

So if you had the best album of all time up your sleeve…what are you going to say about it?

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I’m always interested in your perspective, whether affirming or dissenting. Continue the conversation anytime: gabethebassplayer@gmail.com