Re-Winning The Crowd

When performing on stage and you’re fifty seconds into a song and it’s not working…you don’t skip to the next song.

You have to figure something else out. You have to do something you didn’t think you were going to have to do in order to sell the song. Change the melody, change eye contact, change the volume, change your position on stage…

It doesn’t always go how you think it will. Sometimes you really gotta work for it. This is why playing live never gets old and why the skills of playing live can always be refined.

Professionals have figured out some things that pretty much work night after night…but the thrill of having to win the audience all over again within the scope of a three minute song…that keeps professionals professional.

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Like Mike

Michael Jordan was the best in the world.

And Michael Jordan had a coach. Actually a bunch of coaches.

His coaches weren’t better at basketball than he was but they knew how to make him better.

If you wanna be like Mike you need to find coaches like Mike.

»» Shout out to Brad for this one.

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Better Players

Hiring great musicians is the best way to get your music to sound like it does in your head…and probably even better than in what you’ve dreamed up in your head.

Top talent is expensive but if the ideas are worth putting into the world, then it seems worth it to give them the best chance to connect.

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A Few Words On Procrastination

If it takes you a long time to overcome procrastination, how do you know you overcame it?

:)

By becoming quick to recognize stuck vs. stalling

By becoming quick to embrace the good fear

By becoming clear about the destination but open to which path

By becoming quick to disregard ideas you aren’t going to take action on

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Second Serve

I don’t play tennis.

But the idea of the second serve is interesting…if the first serve doesn’t land you get another try.

The first serve is hard and fast. But the second serve is a little different. The second serve knows the first one didn’t work and also knows there’s not going to be a third. The second serve is colored by the first. It’s a little lighter, a little safer, a little slower, a little less risky…so that it will land and you’ll get to keep playing.

Going all out, hard and fast, all gas no brakes…it definitely makes a statement but if the goal is to keep playing the game, be prepared to make adjustments.

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Reattachment Period

When an artist writes a couple hundred songs it’s a good idea for the artist not to get too attached to the one they’re writing today…because by tomorrow they’ll need all their creative bandwidth for the next one.

From the two hundred, five or ten songs get chosen to fully produce. And then the album comes out…and the artist has to play these songs live…songs they aren’t emotionally attached to because, from the outset, emotional attachment wasn’t a priority.

After the dust settles on all the writing and producing and album releasing…The artist needs a reattachment period with the songs. What is the essence of each song that makes them worth playing?

The artist must find their way back into the songs. To increase their emotional attachment to the songs so they can connect with the audience through the songs.

Hum Love on Spotify and Apple